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Lyrics:
clue number one was when you knocked on my door
clue number two was the look that you wore
n' that's when i knew it was a pretty good sign
that something was wrong up on cloud number nine
well it's a long way up and we won't come down tonight
well it may be wrong but baby it sure feels right
and the moon is out and the stars are bright
and whatever comes s'gonna be alright
cause tonight you will be mine - up on cloud number nine
and there ain't no place that i'd rather be
and we can't go back but you're here with me
yeah, the weather is really fine - up on cloud number nine
now he hurt you and you hurt me
and that wasn't the way it was supposed to be
so baby tonight let's leave the world behind
and spend some time up on cloud number nine
well it's a long way up and we won't come down tonight
well it may be wrong but baby it sure feels right
well we won't come down tonight
ya we won't come down tonight
no we won't come down tonight
we can watch the world go by - up on cloud number nine
Review:
If Bryan Adams's no-frills, blue-collar image
evokes a Canadian take on Springsteen, his
voice--and especially his pop sensibility--recalls
Rod Stewart during his post-Faces Top 40 years.
There's a deceptively effortless sincerity that
masks the sometimes mundane themes of the
infectious hits (the cheap nostalgia of "Summer of
'69" and the various romantic concerns of "Run to
You," "The Best of Me," and "Please Forgive Me")
gathered on this updated hits collection. (Just
five of the tracks appear on his previous So Far,
So Good anthology.) It's hardly surprising to
learn that Adams began his career as a tunesmith
covered by everyone from BTO and Loverboy to Kiss
and Bonnie Tyler. That eclecticism bubbles up
throughout this modern compilation, from the
flamenco flavors of Don Juan De Marco's "Have You
Ever Really Loved a Woman" to the MTV Unplugged
classical-strings-backed rendition of "I'm Ready"
and the surprisingly effective electronica of
"Cloud Number Nine." This collection chronicles
Adams's rise from '80s AOR (album-oriented-rock)
contender to '90s MOR (middle-of-the-road)
superstar, thanks to his Grammy- and Oscar-winning
hit "(Everything I Do) I Do It for You" from Robin
Hood and harmonizing with Sting and Stewart on
Three Musketeers' "All for Love." --Jerry McCulley
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