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Lyricist: Bob Dylan
Lyrics:
Oh, sister, when I come to lie in your arms
You should not treat me like a stranger.
Our Father would not like the way that you act
And you must realize the danger.
Oh, sister, am I not a brother to you
And one deserving of affection?
And is our purpose not the same on this earth,
To love and follow
His direction?
We grew up together
From the cradle to the grave
We died and were reborn
And then mysteriously saved.
Oh, sister, when I come to knock on your door,
Don't turn away, you'll create sorrow.
Time is an ocean but it ends at the shore
You may not see me tomorrow.
Review:
One of the many oddities of Bob Dylan's long and
unruly career has been the rather cursory
recording treatment given his stint as ringleader
of the Rolling Thunder Revue. It's a shortcoming
that's rectified with the release of Live 1975.
Prior to the appearance of this two-disc
collection, Rolling Thunder's eclectic road show
was chronicled only in the infrequently screened,
Dylan-directed Renaldo & Clara film and the
bafflingly brief and one-note 1976 live set, Hard
Rain. In contrast to its predecessor, this set,
culled from four appearances made in November and
December of '75, captures the breadth and
subtleties of Dylan's Rolling Thunder
performances. "Tonight I'll Be Staying Here with
You," formerly a coda from Nashville Skyline, is
given a rather incongruous bite here, while "It
Ain't Me, Babe" is colored brightly by
multi-instrumentalist David Mansfield along with
erstwhile David Bowie guitarist Mick Ronson, the
sparkplug of the gratifyingly ragtag group that
coalesced on short notice. Solo acoustic
performances weave through caterwauling full-band
treatments of songs old ("The Lonesome Death of
Hattie Carroll) and new ("Hurricane" and four
other selections from Desire, which wouldn't hit
the racks until early '76). While the
contributions of a number of caravan cohorts and
guests are left out, Joan Baez shares the
spotlight with Dylan on four numbers, most notably
on the rarity "Mama, You Been on My Mind" and the
traditional "The Water Is Wide." But despite its
cavalcade trappings, it was Dylan's show, and this
collection demonstrates finally just how close to
his '60s peak the '70s Dylan was. --Steven Stolder
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