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Lyricist: Cat Stevens
Lyrics:
How can I tell you that I love you, I love you
But I can't think of right words to say
I long to tell you that I'm always thinking of you
I'm always thinking of you, but my words
Just blow away, just blow away
It always ends up to one thing, honey
And I can't think of right words to say
Wherever I am girl, I'm always walking with you
I'm always walking with you, but I look and you're not there
Whoever I'm with, I'm always, always talking to you
I'm always talking to you, and I'm sad that
You can't hear, sad that you can't hear
It always ends up to one thing, honey,
When I look and you're not there
I need to know you, need to feel my arms around you
Feel my arms around you, like a sea around a shore
And -- each night and day I pray, in hope
That I might find you, in hope that I might
Find you, because heart's can do no more
It always ends up to one thing honey, still I kneel upon the floor
How can I tell you that I love you, I love you
But I can't think of right words to say
I long to tell you that I'm always thinking of you
I'm always thinking of you....
It always ends up to one thing honey
And I can't think of right words to say
Review:
Kicking off A&M's ambitious Cat Stevens reissue
program is this 20-song introduction. The set
surveys all of Stevens's stages, from the
orchestrated late-1960s sides through his
early-'70s peak to his more eclectic late-1970s
experiments. Following the progression makes for
an interesting endeavor as Stevens learns to
harness his ambitious ideas with arrangements that
don't obscure his rhapsodic messages. Few artists
of his generation were more gifted when it came to
plucking timeless melodies out of thin air, and
his sumptuous voice was always able to movingly
convey his bittersweet lyrics. As a career
overview (including one previously unreleased cut)
this set achieves its goal, hitting all of the
chart successes along the way and basically
defining his role as a sensitive '70s
singer-songwriter, but some fans may opt for the
classic early-'70s studio records, which find
Stevens at his most consistently touching. --Marc
Greilsamer
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