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Lyrics:
Oh I'm on my way I know I am, somewhere not so far from here
All I know is what I feel right now, I feel the power growing in my hair
Sitting on my own now by myself, everybody's here with me
I don't need to touch your face to know, I don't need to use my eyes to see
I keep on wondering if I sleep too long, will I always wake up the same (or so)?
And keep on wondering if I sleep too much, will I even wake up again or something
Oh I am on my way, I know I am, but times there were when I thought not
Bleeding half of my soul in bad company, I thank the moon I had the strength to stop
I'm not making love to anyone's wishes, only for the light I see
'Cause when I am dead and lowered in my grave, that's gonna be the only thing that's left of
me
And if I make it to the waterside, will I even find me a boat (or so)?
And if I make it to the waterside, I'll be sure to write you a note or something.
Oh I'm on my way, I know I am, somewhere not so far from here
All I know is all I feel right now, I feel the power growing in my hair
Oh life is like a maze of doors and they all open from the side you're on
Just keep pushing hard boy, try as you may
You're going to wind up where you started from
You're going to wind up where you started from
submitted by C. Cox
Review:
Kicking off A&M's ambitious Cat Stevens reissue
program is this 20-song introduction. The set
surveys all of Stevens's stages, from the
orchestrated late-1960s sides through his
early-'70s peak to his more eclectic late-1970s
experiments. Following the progression makes for
an interesting endeavor as Stevens learns to
harness his ambitious ideas with arrangements that
don't obscure his rhapsodic messages. Few artists
of his generation were more gifted when it came to
plucking timeless melodies out of thin air, and
his sumptuous voice was always able to movingly
convey his bittersweet lyrics. As a career
overview (including one previously unreleased cut)
this set achieves its goal, hitting all of the
chart successes along the way and basically
defining his role as a sensitive '70s
singer-songwriter, but some fans may opt for the
classic early-'70s studio records, which find
Stevens at his most consistently touching. --Marc
Greilsamer
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Sitting" - for FREE from eMusic
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